The Radio Planet

Ways in

The Doors

Nobody browses eighty thousand things. So here are 32 lit rooms — a mood, an hour, a name, a year. Push one open and the archive answers with everything behind it.

Door one · 1930s

The Night of the Martians

Orson Welles, the Mercury Theatre and the panic broadcast of 30 October 1938 — plus everything else that aired that Halloween season.

Push it open

Under 15 minutes

I Have Twelve Minutes

Short transfers only. A single bulletin, a serial chapter, a song and out.

Open

30 – 60 minutes

One Commute

Half-hour broadcasts — the standard length of American network radio, and the length of most journeys to work.

Open

An hour or more

Something To Fall Asleep To

Slow talk, late music and long unhurried programmes with no sudden noises.

Open

true crime

Crime Before Podcasts

Detective radio: the form true crime grew out of, seventy years before the download.

Open

horror

Lights Out

Horror written for the dark, when radio was the only screen and it was inside your head.

Open

comedy

Before the Laugh Track

Comedy played to a live studio audience with nowhere to hide.

Open

sci fi

Rockets and Ray Guns

Science fiction from the years the future still sounded like brass and static.

Open

1920s

The First Voices

The oldest surviving transfers in the archive — broadcasting before it knew what it was.

Open

1940s

The War Years

1940s broadcasting, from bulletin desks to variety shows recorded for troops overseas.

Open

uk

Not America

Series broadcast outside the United States — Britain, Australia, Canada and beyond.

Open

australia

The Australian Hour

Serials and drama made in Australia, much of it produced for syndication across the country.

Open

canada

The Northern Signal

Canadian broadcasting: a public network built across an enormous, thinly populated country.

Open

adventure

Ride Out

Westerns and adventure serials — the biggest popular genre of the era, at full gallop.

Open

Under 15 minutes

The Daytime

Serials made for an audience working at home, fifteen minutes at a time, five days a week.

Open

news

The Bulletin Desk

News as it broke, read by people who did not yet know how the story ended.

Open

music

The Band Remotes

Live music picked up from ballrooms and hotels and thrown onto the network, late at night.

Open

drama

The Stage on the Air

Theatre and anthology drama written or adapted for the microphone.

Open

family

The Children's Hour

Programmes made for children, broadcast in the hour before dinner.

Open

sport

Sport, Live

Play-by-play from the years the only way to follow it was to sit and listen.

Open

The whole archive

Christmas on the Dial

Seasonal broadcasts across every genre — the year's biggest night for radio.

Open

The whole archive

Sherlock Holmes

Every surviving Holmes transfer in the archive, across networks and decades.

Open

The whole archive

Orson Welles

The most restless voice in American radio, wherever it turns up.

Open

1940s

The Invasion

Coverage of the Normandy landings and the days around 6 June 1944.

Open

The whole archive

Fireside

Presidential broadcasts and the speeches that came into the room rather than down from a platform.

Open

horror

Ghost Stories

Hauntings, seances and the supernatural, played straight.

Open

The whole archive

In Court

Trials, hearings and courtroom drama, real and staged.

Open

1930s

The Thirties

Depression-era broadcasting: cheap entertainment for people who had nothing else.

Open

1950s

The Last Decade

Radio in the 1950s, as television took the audience and the budgets away.

Open

An hour or more

The Long Haul

Hour-plus recordings — full evenings, marathons, unbroken broadcasts.

Open

talk

People Talking

Interviews, panels and street microphones: the ancestors of the modern chat show.

Open

30 – 60 minutes

The Documentary Hour

Reported features and docudrama, made when the form was still being invented.

Open