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Escape
Escape cover

1947–1951

Escape

229 surviving broadcasts held in the archive

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Source collection: OTRR_Escape_Singles

The surviving run

Transmission

28 February

No. 1

1947

Escape

Out Of This World (Audition)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 March

No. 2

1947

Escape

Dead of Night (Audition)

Running time

24 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

7 July

No. 3

1947

Escape

The Man Who Would Be King (Raymond Lawrence)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

14 July

No. 4

1947

Escape

Operation Fleur De Lys

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 July

No. 5

1947

Escape

Escape -003- The Diamond as Big as the Ritz -Jack Edwards, Jr

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

28 July

No. 6

1947

Escape

Typhoon

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

4 August

No. 7

1947

Escape

Escape -005- Sire De Maletroit's Door

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

11 August

No. 8

1947

Escape

Ring of Thoth

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

18 August

No. 9

1947

Escape

The Fourth Man (Paul Frees)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

1 October

No. 10

1947

Escape

The Most Dangerous Game

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

15 October

No. 11

1947

Escape

A Shipment of Mute Fate (Jack Webb)

Running time

24 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

22 October

No. 12

1947

Escape

The Fall of the House of Usher

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

29 October

No. 13

1947

Escape

Pollack and the Porroh Man

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

5 November

No. 14

1947

Escape

Evening Primrose (Elliott Lewis)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

12 November

No. 15

1947

Escape

The Young Man with the Cream Tarts

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

19 November

No. 16

1947

Escape

Casting the Runes

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

26 November

No. 17

1947

Escape

The Country of the Blind

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

3 December

No. 18

1947

Escape

Taboo

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

10 December

No. 19

1947

Escape

An Occurrence at Owl Creek Bridge

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

17 December

No. 20

1947

Escape

Wild Oranges (William Conrad)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

24 December

No. 21

1947

Escape

Back for Christmas

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

31 December

No. 22

1947

Escape

Confession

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

7 January

No. 23

1948

Escape

The Second Class Passenger (national broadcast)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

10 January

No. 24

1948

Escape

Escape -022- The Second Class Passenger -national broadcast, different production

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

14 January

No. 25

1948

Escape

Leiningen vs the Ants (national broadcast)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

17 January

No. 26

1948

Escape

Escape -023- Leiningen vs the Ants -national broadcast, different production

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 January

No. 27

1948

Escape

Papa Benjamin (national broadcast)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

24 January

No. 28

1948

Escape

Escape -024- Papa Benjamin -national broadcast, different production

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

28 January

No. 29

1948

Escape

Three Good Witnesses (national broadcast)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

31 January

No. 30

1948

Escape

Escape -025- Three Good Witnesses -national broadcast, different production

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

1 February

No. 31

1948

Escape

The Vanishing Lady (national broadcast)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

7 February

No. 32

1948

Escape

Escape -026- The Vanishing Lady -national broadcast, different production

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

8 February

No. 33

1948

Escape

Snake Doctor (national broadcast)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

14 February

No. 34

1948

Escape

Escape -027- Snake Doctor -national broadcast, different production

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

15 February

No. 35

1948

Escape

Ancient Sorceries (national broadcast)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 February

No. 36

1948

Escape

Escape -028- Ancient Sorceries -national broadcast, different production

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

22 February

No. 37

1948

Escape

How Love Came to Professor Guildea (national broadcast)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

28 February

No. 38

1948

Escape

Escape -029- How Love Came To Professor Guildea -national broadcast, different productio

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

6 March

No. 39

1948

Escape

Escape -030- The Grove Of Ashtaroth -national broadcast, different production

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

7 March

No. 40

1948

Escape

Escape -031- Jimmy Goggles, the God -national broadcast

Running time

28 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

14 March

No. 41

1948

Escape

The Log of the Evening Star (national broadcast)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 March

No. 42

1948

Escape

Escape -033- Misfortune's Isle -national broadcast- -1

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 March

No. 43

1948

Escape

Escape -033- Misfortune's Isle -national broadcast- -2

Running time

28 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

28 March

No. 44

1948

Escape

Shipment of Mute Fate (Harry Bartell)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

4 April

No. 45

1948

Escape

Action (Berry Kroeger)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

11 April

No. 46

1948

Escape

The Brute

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

18 April

No. 47

1948

Escape

Escape -037- The Drums of the Fore and Aft -Gil Stratton, Jr

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

25 April

No. 48

1948

Escape

The Fourth Man (Berry Kroeger)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

2 May

No. 49

1948

Escape

John Jock Todd

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

9 May

No. 50

1948

Escape

The Time Machine (Jeff Corey)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

16 May

No. 51

1948

Escape

The Match

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

23 May

No. 52

1948

Escape

Escape -042- Leiningen Versus the Ants -William Conrad, Jay Novello

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

6 June

No. 53

1948

Escape

Beau Geste

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

27 June

No. 54

1948

Escape

Escape -044- Country of the Blind -Paul Frees, William Conrad

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

4 July

No. 55

1948

Escape

A Tooth for Paul Revere

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

11 July

No. 56

1948

Escape

She

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

18 July

No. 57

1948

Escape

Habit

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

1 August

No. 58

1948

Escape

The Man Who Would Be King (Ben Wright)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

15 August

No. 59

1948

Escape

The Fugitive

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

22 August

No. 60

1948

Escape

SS San Pedro

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

29 August

No. 61

1948

Escape

The Diamond as Big as the Ritz (William Conrad)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

5 September

No. 62

1948

Escape

Dream of Armageddon

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

12 September

No. 63

1948

Escape

Evening Primrose (William Conrad)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

19 September

No. 64

1948

Escape

The Man Who Could Work Miracles

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

12 February

No. 65

1949

Escape

The Lost Special

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

19 February

No. 66

1949

Escape

Orient Express

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

26 February

No. 67

1949

Escape

Red Wine (Jeff Chandler)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

5 March

No. 68

1949

Escape

Escape -058- Conqueror's Isle -David Ellis

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

12 March

No. 69

1949

Escape

He Who Rides the Tiger

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

13 March

No. 70

1949

Escape

A Shipment of Mute Fate (John Lund)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

19 March

No. 71

1949

Escape

Finger of Doom

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

20 March

No. 72

1949

Escape

Escape -062- The Country of the Blind -Edmond O'Brien

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

26 March

No. 73

1949

Escape

The Adaptive Ultimate

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

27 March

No. 74

1949

Escape

Escape -064- The Diamond as Big as the Ritz -Sam Edwards, Helen Thomas

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

2 April

No. 75

1949

Escape

Confidential Agent

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

9 April

No. 76

1949

Escape

Escape -066- When the Man Comes, Follow Him

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

16 April

No. 77

1949

Escape

The General Died at Dawn

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

23 April

No. 78

1949

Escape

The Great Impersonation

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

7 July

No. 79

1949

Escape

The Fourth Man (Wilms Herbert)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

14 July

No. 80

1949

Escape

The Drums of the Fore and Aft (Ben Wright))

Running time

30 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 July

No. 81

1949

Escape

Action (Joseph Kearns)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

28 July

No. 82

1949

Escape

Second Class Passenger (Parley Baer)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

4 August

No. 83

1949

Escape

Leiningen Versus the Ants (Tudor Owen)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

11 August

No. 84

1949

Escape

Red Wine (Willard Waterman)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

18 August

No. 85

1949

Escape

Snake Doctor (Ira Grossel)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

25 August

No. 86

1949

Escape

Evening Primrose (Harry Bartell)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 September

No. 87

1949

Escape

The Fortune of Vargas

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

28 September

No. 88

1949

Escape

Wild Oranges (Van Heflin)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

15 October

No. 89

1949

Escape

The Sure Thing (William Conrad)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

22 October

No. 90

1949

Escape

Night in Havana

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

1 November

No. 91

1949

Escape

Flood on the Goodwins (Jack Edwards)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

8 November

No. 92

1949

Escape

Plunder of the Sun

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

15 November

No. 93

1949

Escape

Three Skeleton Key (William Conrad)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

22 November

No. 94

1949

Escape

Maracas

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

29 November

No. 95

1949

Escape

Letter from Jason

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

6 December

No. 96

1949

Escape

Command (Elliott Reed)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

13 December

No. 97

1949

Escape

Border Town

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

20 December

No. 98

1949

Escape

Figure a Dame

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

27 December

No. 99

1949

Escape

Seeds of Greed

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

3 January

No. 100

1950

Escape

The Pistol

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

10 January

No. 101

1950

Escape

Vanishing Lady (Del Castillo)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

17 January

No. 102

1950

Escape

The Sure Thing (Anthony Ross)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

24 January

No. 103

1950

Escape

Treasure Incorporated

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

31 January

No. 104

1950

Escape

Present Tense

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

7 February

No. 105

1950

Escape

The Outer Limit

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

14 February

No. 106

1950

Escape

Two If by Sea

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 February

No. 107

1950

Escape

The Red Mark

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

28 February

No. 108

1950

Escape

The Man Who Won the War

Running time

28 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

10 March

No. 109

1950

Escape

Port Royal

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

17 March

No. 110

1950

Escape

Three Skeleton Key (Vincent Price)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

24 March

No. 111

1950

Escape

Danger at Matecumbe

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

31 March

No. 112

1950

Escape

Green Splotches

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

7 April

No. 113

1950

Escape

The Ambassador of Poker

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

14 April

No. 114

1950

Escape

The Golden Snake

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 April

No. 115

1950

Escape

The Shanghai Document

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

28 April

No. 116

1950

Escape

Something for Nothing

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

5 May

No. 117

1950

Escape

The Man Who Stole the Bible (Ben Wright)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

12 May

No. 118

1950

Escape

The Rim of Terror

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

19 May

No. 119

1950

Escape

Pass to Berlin

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

26 May

No. 120

1950

Escape

Command (Harry Bartell)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

2 June

No. 121

1950

Escape

Mars Is Heaven

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

16 June

No. 122

1950

Escape

Serenade for a Cobra

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

23 June

No. 123

1950

Escape

Sundown

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

30 June

No. 124

1950

Escape

Blood Bath

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

7 July

No. 125

1950

Escape

A Shipment of Mute Fate (David Ellis)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

14 July

No. 126

1950

Escape

Shark Bait

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

21 July

No. 127

1950

Escape

Yellow Wake

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

28 July

No. 128

1950

Escape

Poison

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

4 August

No. 129

1950

Escape

Two Came Back

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

11 August

No. 130

1950

Escape

The Red Forest (Ben Wright)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

18 August

No. 131

1950

Escape

The Footprint

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

25 August

No. 132

1950

Escape

Crossing Paris

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

1 October

No. 133

1950

Escape

A Sleeping Draft (John Dodsworth)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

8 October

No. 134

1950

Escape

Roulette

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

15 October

No. 135

1950

Escape

The Power of Hammer

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

22 October

No. 136

1950

Escape

The Time Machine (John Dehner)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

29 October

No. 137

1950

Escape

Seven Hours to Freedom

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

5 November

No. 138

1950

Escape

Earth Abides Part 1

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

12 November

No. 139

1950

Escape

Earth Abides Part 2

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

19 November

No. 140

1950

Escape

Journey into Fear

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

26 November

No. 141

1950

Escape

Funeral Fires

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

3 December

No. 142

1950

Escape

This Side of Nowhere

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

10 December

No. 143

1950

Escape

A Passenger to Bali

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

17 December

No. 144

1950

Escape

Wild Jack Rhett (John Dehner)

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

24 December

No. 145

1950

Escape

The Cave

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

31 December

No. 146

1950

Escape

The Man Who Could Work Miracles

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

7 January

No. 147

1951

Escape

Conquest

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

14 January

No. 148

1951

Escape

A Bullet for Mr Smith

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

11 February

No. 149

1951

Escape

The Killer Mine

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.

Transmission

18 February

No. 150

1951

Escape

The Follower

Running time

29 min

In the Golden Days of Radio, back in the 1930s to the 1950s, most popular radio series had a set time for going out each week. Occasionally, there might be a change in the schedule, but on the whole a consistent time-slot was something that helped build a large audience and so was something the big networks aimed to achieve.